"The Cycle" (1978), directed by Dariush Mehrjui, is a poignant representation of the Iranian New Wave movement. The film, which navigates the raw realities of poverty, exploitation, and corruption, leaves a lasting impression with its gut-wrenching portrayal of life's darker shades.
The plot centers around a father and son duo who move to Tehran in search of a better life, only to be caught in a relentless cycle of poverty and deceit in the city's underbelly. Mehrjui's storytelling is unflinchingly honest, shedding light on the underrepresented narratives of society's marginalized.
Mehrjui's direction is noteworthy for its realistic portrayal of life in Tehran's lower socioeconomic strata. His use of non-professional actors lends an authenticity to the narrative, enhancing the impact of the story. The director's ability to weave a compelling narrative out of harsh realities is commendable, making "The Cycle" a stark and powerful cinematic experience.
The acting in "The Cycle" is praiseworthy, with Saeed Kangarani delivering a powerful performance as the son, Ali. His portrayal of a young man caught in a cycle of despair is both heart-wrenching and thought-provoking. The other characters in the film, portrayed by non-professional actors, bring an element of raw authenticity to the narrative.
The cinematography by Fereydoun Ghovanlou is stark, capturing the grim realities of Tehran's underbelly. The score by Morteza Hannaneh is sparse and complements the film's bleak narrative without being intrusive. The editing, done by Abbas Ganjavi, ensures a steady pace and keeps the viewer engaged throughout.
In conclusion, "The Cycle" is a profound examination of societal corruption and the vicious cycle of poverty. It's an impactful entry in the Iranian New Wave movement, known for its uncompromising look at the harsh realities of life