Lipstick, 1976
Lipstick, 1976
Directed by Lamont Johnson, "Lipstick" (1976) is a film that thrusts the harsh realities of sexual assault and the subsequent journey for justice under the spotlight, featuring real-life sisters Margaux and Mariel Hemingway in roles that echo the tensions and traumas that such violent acts precipitate.
The film centers around Chris McCormick, played by Margaux Hemingway, a successful model who becomes the target of an attack by her sister's music teacher, Gordon Stuart, portrayed chillingly by Chris Sarandon. The narrative follows her attempts to navigate the justice system and her own personal response when legal measures fail her. Mariel Hemingway delivers a compelling performance as the younger sister, Kathy, who also becomes an indirect victim of the assault's aftermath.
Lipstick, 1976
"Lipstick" attempts to tackle the complexities of the legal battles that victims often face, highlighting the frequent re-victimization at the hands of both the legal system and society. The courtroom scenes are particularly provocative, showcasing the brutal cross-examinations that can distort and manipulate the victim's narrative.
However, the film has often been criticized for its sensationalist approach to a sensitive topic. The latter part of the movie veers into the territory of a revenge thriller, which some viewers might find cathartic, while others could see it as a simplistic resolution to a complex issue. The transition from a serious crime drama to a revenge fantasy raises questions about the film's intent and the message it wishes to convey about victim empowerment versus vigilantism.
Despite these criticisms, "Lipstick" remains a noteworthy film for its era. It provides a raw, albeit dramatized, look at the emotional and psychological toll of sexual violence. The Hemingway sisters bring a palpable authenticity to their roles, underscored by a gritty realism that was somewhat ahead of its time.
Lipstick, 1976
In terms of cinematography, "Lipstick" uses the stark and stylish backdrop of the modeling world to contrast the dark themes it explores. The music, composed by Michel Polnareff, adds an eerie layer to the unfolding drama, enriching the tense and unsettling atmosphere that pervades the film.
Overall, "Lipstick" serves as a cinematic artifact that reflects the 1970s' grappling with themes of crime, justice, and gender dynamics. While it may not provide all the answers to the questions it raises, it certainly functions as a catalyst for discussion about the portrayal of violence against women in media and the societal implications therein.
Lipstick, 1976
In conclusion, "Lipstick" (1976) is a film that both captivates and confronts. It may not be perfect in its execution, but it undeniably makes a bold statement about the times and the ongoing dialogue concerning victims' rights and justice.
