Benoît Jacquot's "La désenchantée" (The Disenchanted) is a raw and unflinching exploration of adolescent alienation and sexual awakening. Set against the backdrop of late 1980s Paris, the film follows Beth (Judith Godrèche), a 17-year-old girl navigating the complexities of relationships, family dynamics, and her own burgeoning sexuality.
Godrèche delivers a nuanced and brave performance as Beth, capturing the character's mixture of vulnerability, curiosity, and defiance. Her portrayal of a young woman caught between childhood and adulthood is both authentic and unsettling, forcing the viewer to confront uncomfortable truths about the transition to adulthood.
Jacquot's direction is restrained yet intimate, allowing the camera to linger on Beth's face, capturing every micro-expression and unspoken thought. This approach creates a sense of voyeurism that mirrors Beth's own exploration of the adult world around her.
The film's narrative unfolds through a series of encounters Beth has with different men, each representing various facets of male behavior and societal expectations. These interactions range from tender to exploitative, highlighting the dangers and disappointments Beth faces as she tries to understand her place in the world.
"La désenchantée" doesn't shy away from controversial subjects, including underage sexuality and the power dynamics between men and women. While some viewers may find certain scenes challenging, Jacquot handles these themes with a matter-of-fact approach that avoids sensationalism.
The film's pacing is deliberate, at times bordering on languid, which may test the patience of some viewers. However, this rhythm effectively mirrors Beth's own meandering journey of self-discovery.
Visually, the film captures the gritty realism of late '80s Paris, with muted colors and naturalistic lighting that enhance the overall sense of disillusionment pervading Beth's world.
"La désenchantée" is not an easy watch, but it's a powerful and thought-provoking examination of female adolescence. It raises important questions about agency, desire, and the loss of innocence without offering easy answers. While it may not appeal to all audiences due to its controversial subject matter and slow pacing, it remains a significant work in French cinema, particularly for those interested in coming-of-age narratives and feminist perspectives in film.
Search "La désenchantée", 1989