"Il miele del diavolo", 1986
"Il miele del diavolo" (1986)
"Il miele del diavolo" (The Devil’s Honey), released in 1986, stands as one of Lucio Fulci’s most controversial films, diverging from his more well-known horror works like Zombie and The Beyond. Here, Fulci explores a different kind of horror—one rooted in the intensity of human relationships and the psychological toll of obsession.
The film centers around Jessica, played by Blanca Marsillach, and her toxic relationship with a manipulative saxophonist, Johnny (Stefano Madia). The narrative escalates when Johnny falls fatally ill, and Jessica directs her grief and rage toward Dr. Wendell Simpson (Brett Halsey), holding him responsible for Johnny's death. What follows is a series of unsettling confrontations between Jessica and the doctor, where themes of control, lust, and vengeance intertwine.
"Il miele del diavolo" (1986)
Fulci pushes boundaries by delving into the complex nature of pain and desire. The film is filled with erotic imagery, but it uses it to examine the deeper psychological aspects of the characters’ relationships. The power dynamics between Jessica and Dr. Simpson form the core of the film, with Fulci blending sensuality with discomfort in a way that is both compelling and disturbing.
The cinematography captures the raw emotions of the characters, with a score that mirrors the tension and eroticism. However, the film’s slow pacing and disjointed narrative can be polarizing for audiences unfamiliar with Fulci’s style. The performances are strong, with Marsillach delivering a powerful portrayal of a woman consumed by grief and revenge.
"Il miele del diavolo" (1986)
While "Il miele del diavolo" may not reach the cult status of Fulci's horror classics, it offers a unique exploration of eroticism and obsession. The film's raw, unapologetic approach to its subject matter makes it a daring and often uncomfortable watch, but it remains a thought-provoking piece of cinema that examines the darker sides of human relationships.
"Il miele del diavolo" (1986)
Ultimately, this film is a must-watch for those interested in Fulci’s diverse body of work and fans of psychological thrillers with a provocative edge.
