"Bare Behind Bars" (A Prisão), a 1980 Brazilian exploitation film directed by Oswaldo de Oliveira, is a notorious entry in the women-in-prison genre. The film is set in a fictional women's prison in Brazil, where the inmates endure harsh conditions and corrupt prison staff.
"Bare Behind Bars" is known for its graphic and explicit content, including violence and sexual scenes. The film employs the typical tropes of the exploitation genre, featuring a sensationalized portrayal of life in a women's prison. It blends elements of drama, action, and erotica, often pushing the boundaries of taste and decency.
The narrative focuses on the lives of several inmates, each with their own backstory and reasons for incarceration. The film delves into themes of corruption, abuse of power, and the struggle for survival within the prison walls. The characters are often portrayed in a sensationalized manner, consistent with the film's exploitation roots.
The direction by de Oliveira is unapologetic in its depiction of the brutal and eroticized world of the prison. The film's cinematography and production design contribute to its gritty and claustrophobic atmosphere.
While "Bare Behind Bars" has garnered criticism for its exploitative nature and graphic content, it remains a cult classic for fans of the genre. The film's over-the-top approach and controversial themes have made it a subject of discussion and analysis in the context of exploitation cinema and its cultural implications.
In summary, "Bare Behind Bars" is a film that epitomizes the extreme aspects of the women-in-prison genre. It's a movie that is not for the faint-hearted, offering an unflinching look at a sensationalized world of violence and eroticism.
Search Bare Behind Bars, 1980