"Baisers volés", 1968

Aug. 3, 2024, 6:05 a.m. Recommendations Evelyn Lark

"Baisers volés", 1968

"Baisers volés" (Stolen Kisses), directed by François Truffaut in 1968, is a delightful and whimsical continuation of the adventures of Antoine Doinel, one of French cinema's most beloved characters. This film is the third installment in Truffaut's series about Antoine, brilliantly portrayed by Jean-Pierre Léaud.

The story picks up with Antoine's discharge from the army. He returns to Paris and embarks on a series of amusing and often hapless attempts to find his place in the world. From working as a night watchman to becoming a private detective, Antoine's journey is filled with quirky encounters and romantic entanglements, particularly with Christine Darbon (Claude Jade) and Fabienne Tabard (Delphine Seyrig).

"Baisers volés", 1968

Truffaut's direction is marked by a light, playful tone that captures the essence of Parisian life in the late 1960s. The film’s charm lies in its episodic structure, allowing the audience to relish each of Antoine's misadventures. Jean-Pierre Léaud's performance is a perfect blend of innocence and wit, making Antoine a character that's easy to root for despite his flaws.

The cinematography by Denys Clerval captures the beauty and vibrancy of Paris, enhancing the film’s romantic and nostalgic atmosphere. Georges Delerue’s enchanting score further elevates the film, perfectly complementing its whimsical and carefree spirit.

"Baisers volés", 1968

"Baisers volés" is more than just a comedy; it’s a tender exploration of youth, love, and the quest for identity. Truffaut’s deft storytelling and keen observation of human behavior make this film a timeless piece of French cinema.

"Baisers volés", 1968

In conclusion, "Baisers volés" is a joyous and heartwarming film that continues to enchant audiences with its humor, charm, and genuine affection for its characters. It’s a must-watch for fans of French New Wave cinema and anyone who appreciates a good-hearted romantic comedy.

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